developments in construction methods, I have tried to bring the best of these two worlds together in
my guitars. As materials and tools have continued to advance, we must consider how they can be
used in our work. By utilizing new technological developments, we are able to achieve a high degree
of precision in construction. For example, we have the means το take highly accurate measurements
both in dimensions and in sound, which is of vital importance in understanding and further
developing the sound of each guitar; but we also have the technology to replicate a successful
improvement with the highest degree of precision. The aim always remains the same: not to move
away from the traditional sound but to better it, as far as possible and to preserve the elements we
have come to love in the sound of the guitar, the mellow, crystalline sound of a traditional guitar that
move the listener and spellbinds the performer. Below, I explain some of the standardized processes
and innovations I use in my building my guitars.

The Top (Soundboard)
Arguably, the top has the greatest influence in sound production in string instruments. With classical guitars we encounter mostly two kinds of tops, spruce and cedar. Each adds its own character and
musical tone.
European Spruce
European spruce is traditionally the most popular species of spruce used in classical guitar tops. It offers good sound projection with very crisp, transparent low and high frequencies (bases and trebles). It is supposed to mature with time and with that the sound of the guitar. I only use it for my traditional guitars.
Western Red Cedar
Canadian Cedar is famed for producing a bright but warm tone and the most voluminous sound. It matures with time but it does so much quicker than spruce. I can use cedar in any of my models.
CHOICE OF MATERIALS
The materials used in producing a guitar plays a decisive role in the sound it will finally produce. Selecting woods for their good sound properties and for their pedigree is essential for building a quality instrument. All the materials I use are of the best quality (master grade) and selected individually. Here are some of my choices:
Back and sides: Indian Rosewood, Cocobolo, Madagascar Rosewood
Fingerboard: Ebony
Neck: Spanish Cedar
Bridges: Indian Rosewood, Padouk

REINFORCED SIDES
Arched Back
My Rosette
RAISED FINGERBOARD
Side Soundport
Armrest
BRIDGE & SADDLE
Headstock and Tuning Machines
Playability
Finish
Guitar Case
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